My latest interview was with the wonderful contemporary artist April Rimpo in her studio, in Dayton Maryland USA. Dayton is about three and half hours drive south of New York City. April shared her story of becoming an artist and watercolourist along with some fantastic tips on how she prepares and plans for her unique paintings. In this interview, you can pick up some great tips for how to work with watercolour and fluid acrylic paints, particularly how to capture movement and emotion in your work. Every artist is unique in how they approach and tap into their creativity and April is a master at taking a fresh approach to each subject. April’s painting subjects are also “all over the map” given her natural curiosity, interests and great skill in capturing story in her work.
During this period of Covid 19, April has been busy working in her basement studio, which to me appeared super organised. If you look closely at the video you will see how April uses her space wisely with good light, and importantly some good storage for her many paintings, both on the walls and also packaged neatly ready to go to a new home.
I started the interview learning a little bit more about April’s creative background and heritage and very quickly started examining many of the stories behind her paintings and her journey as an artist, how she never looked back after finding the freedom and power of chasing paint in watercolour. I highly recommend learning more about April and her fabulous paintings either on this You Tube Clip or on her website, which I’ve listed at the end of the video. I’m really enjoying the journey especially after spending some quality time with the delightful April, a highly skilled artist and generous soul.
Recently I had the good fortune of meeting with Andy Evansen, the internationally recognised master watercolour artist and teacher based in Minnesota, USA. Speaking with Andy was an absolute pleasure as he was so down to earth and easy to talk with. After chatting for a little while, Andy shared that he had recently, been “painting up a storm” in his home studio, with his other Studio located in Hastings Street, where he both teaches watercolour painting and has around 30 of his paintings hung at any one time. I was thrilled and impressed with Andy’s sponaneous offer to give me a virtual tour of his well designed basement studio. A good size studio, bursting with an array of his recent watercolour paintings waiting to be framed and or shipped to a happy new home. I loved the studio space, particularly Andy’s designated areas for his watercolour paintings; his skeleton and medical drawings; a special table and lighting for photographing his paintings as well as another area for preparing his matt boards and self- framing. To top it all off, it appeared from my Zooming in from Australia, that Andy also has a decent sized studio kitchen where he can get a coffee.
In this our first ever introductory meeting, we also spoke about Andy’s recent trip to Catalina Island, which is about a one hour high-speed ferry trip from Long Beach, California. Andy got to visit the Island before the Covid pandemic lockdown and managed to do what he loves most, to paint ‘plein air‘ for the upcoming annual exhibition being hosted at the Catalina Island Conservatory is the Sixth Annual Catalina: The Wild Side Art Show at Newport Harbor Yacht Club, featuring the works of 10 nationally recognized plein air artists who have interpreted Catalina Island’s wildlands, Avalon and Two Harbours. Sharing some of his recent paintings from his trip, I couldn’t help but be blown away, with Andy’s impression of the boats, water and beautiful sunlight mountains, a painting entitled ‘Early Departure from Avalon‘.
This particular painting in my humble view, is a must see for any aspiring watercolour artist interested in capturing the light and colour in a landscape watercolour painting. This led me, naturally to ask Andy, how he decides what and where he will paint and what inspired him to pick the spot to paint this fantastic picture.
I came away feeling inspired and super excited as Andy agreed that I could accompany him virtually on his next ‘plein air’ trip, with more exciting ‘behind the scenes‘ insights into painting with the marvelous medium of watercolour.
If you are interested in acquiring an original watercolour masterpiece or learning more about Andy and his paintings, I highly recommend checking out my short You Tube video. If you like the video I’d love you to Subscribe and click the Notification Bell symbol as well. That way you won’t miss out on updates about the upcoming AWS FREE ‘plein air‘ event with Andy.
Recently I had a great conversation with Chan Dissanayake, Australian Master Watercolourist who presented a fun and very powerful way of painting people with watercolour. Chan shared a few very importance tips when it comes to picking brushes for figure painting. What I found when painting figures with watercolour is that it is so much fun, it is kinda hard to stop.
Come and join in the jouney with me on the AWS You Tube Channel, where I share some great insights and tips from great artists, like Chan and his intimate knowledge of all things watercolour. When you Subscribe on the AWS You Tube Channel and you will never miss the exciting news and updates coming up.
“Creative people are curious, flexible, persistent, and independent with a tremendous spirit of adventure and a love of play.” Henri Matisse
On Tuesday the 5 May at 6.30pm, I joined as a co-host, the inaugural online workshop for Australian master watercolourist Chan Dissanayake. Joining his enthusiatic group of budding watercolour artists and on another evening the intermediate and advanced painting group we had immense fun. As both groups were eager and engaged, zooming in from their respective art studios from regional Australia to Ireland, the USA and NZ.
Chan as usual was very generous and patient. He used his gift of quickly making everyone feel at ease, encouraging lots of questions and discussion. I volunteered to help manage the Zoom technology, chatbox and housekeeping, while he concentrated on his painting and teaching. He also put a lot of thought into what painting models to use providing something new to explore each class. What’s more, he and I worked out a key feature of using his Zoom (not his students) to ‘spotlight’ and lock his screen on his painting, brushes and palette during the class.
What was the best thing? Apart from covering the key fundamentals of using watercolour and watching Chan’s demonstrate, we got time to play! Chan gently and skillfully led the group into commencing the first of many of painting exercises. He encouraged everyone to be bold and try new things. Whilst the class enjoyed watching Chan paint, from his tips on planning, to his spontaneous and free style of rapidly working carefully with the water on his brush and paper. Even more fun was having the dedicated time to play, experiment and learn by trial and error. This I know is the secret ingredient and essence of sustainable learning. So big thank you to Chan for reminding us of this and the importance of savouring the journey, not only the destination.